Kaichou wa Maid-sama! – overlong example of broken storytelling

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Alternative title Maid Sama!
Studio J.C.Staff
Genres Comedy, Romance, Slice of Life
Source Manga
Episodes 26
Season Spring 2010
Director Hiroaki Sakurai
Music Wataru Maeguchi

      It feels a bit strange that my history of watching anime which heavily relies on romance and comedy motives is rather ambiguous in a sense that I usually have no idea if a certain show for me will be a hit or a miss. Such flagship of romance like Toradora! left me with a very sour aftertaste (and that’s probably the biggest difference I have with the public consensus about any more popular show) while Nodame Cantabile felt really sincere and heartwarming. Of course every show uses just a bit different combination of ideas but in my case it feels wrong but I appreciate Sakurasou no Pet na Kanojo for its depiction of a struggle to get a future that you want or Ore Monogatari!! for its comedy rather than the romance aspect of both of these shows. In this perspective comedy causes even more trouble for being a very personal preference and that’s obvious enough not to need any more elaboration. Pondering these things I decided to try some Kaichou wa Maid-sama! that appeared to have some fan following as well as be mildly funny after seeing some random clips on YouTube.

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     The premise of Kaichou wa Maid-sama! is a bit unusual and definitely plays a major role in catching an eye of a potential viewer. Not always do you get a random girl who tries her best (well, a shojou protagonist) while living almost a double life – being a school council president and a waitress in a maid café in her spare time. Of course Misaki, that being the girl’s name, is very flustered and ashamed about the situation and tries as best as she can to avoid her school and part-time job worlds to have the slightest common points. Of course it proves to be impossible when Misaki is spotted by the shoujo protagonist, Usui, who in terms of being perfect could almost rival Sakamoto from Sakamoto desu ga? and if you watched that anime you know it’s a big deal. It wouldn’t be a shoujo series if Usui hadn’t started frequenting Misaki’s café and tried to get close to her. Even if it looks like I just described a premise, actually that’s basically everything I could say about the plot even after all the 26 episodes. Well, apart from the fact that (oh, spoilers) Misaki and Usui very unexpectedly ended up together. And that is the biggest problem of the show – apart from having quite an unusual beginning, it does nothing interesting – all the characters just fool around, sometimes getting an episode centered around them (that hardly expands their personalities) and very huge part of the show feels like a filler. It’s not unusual to get the main couple together by the end of the season but when the development during the last episode pushes the story forward just as much as all the rest of the episodes combined, I’m not that content.

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There is also another thing that proves the shortcomings of the story – tell me, what is the point of introducing an osananajimi character when only just a few episodes are left and hoping that the viewers would believe he has  the slightest chance of stealing Misaki from Usui? Well, if you have 2 people featured on a cover of the show and you constantly see those people, what are the chances that some random dude could get between them? By the way, everything ended even more hilariously (spoilers) – Usui got the main girl while the osananajimi ended up with… a tree. Yep, that’s correct. Just like this thing, the majority of the content felt very pointless and more interesting moments could have easily been reduced to a 1 cour anime, or even a film. The show even managed to give a whole episode adaptation of a totally unnecessary manga special that just had me thinking “get on with it already” all over again and again. Come on, that’s why we have a thing called OVA. Heard of it?

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     To be frank, the show has only one character, and that is Misaki. She may not be the most exceptional shoujo protagonist but seeing a person who tries her best at every situation, has a strong relationship with her friends and is ready to do everything she can for them, you can’t at least a little admire her. Sure, there are other character aspects that make her less attractive (like overdoing her feminism activities) but that’s only human. The leading guy on the other hand for me looked like a perfect antagonist and I was very confused if the show really wanted me to like him. Well, sure, Usui has good looks and can do just about anything when the plot requires it (playing chess or volleyball like a pro, acting like a perfect waiter, rescuing Misaki from all kinds of situations – you name it). His perfectness in itself sometimes becomes annoying but that’s only a tip of an iceberg – Usui also among other things treats Misaki pretty horribly forcing her to the situations she doesn’t like, stalking her, being selfish, rude and arrogant so Misaki’s description of him as an “alien pervert” basically fits.  Both of the ED’s try to hint something of a backstory of Usui but that’s too vague to hold any meaning. And that’s a shame because for the whole anime Usui receives no development at all – he remains exactly the same during all the 26 episodes. Well, it’s not a development heavy show but even Misaki’s character got a bit softened during all this time. I can understand that there can be people like Usui and they themselves can be not fully aware of their flaws but making such a person a lead guy in a light-hearted show is beyond me. The supporting cast is pretty dull – usually arriving only when there is nothing else to do but to be targets of some unfunny jokes. A bit of an exception could be Misaki’s sister who has a very weird quirk – an ability to win every lottery she participates in. Some other characters also appear to be not that common in anime – a crossdressing guy, a guy who generally behaves and looks pretty girlish… Oh wait, it’s just a bunch of slightly improved bishounens. Oh shoujo manga, you got me again.

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Excerpt from the anime

     Visually the anime looks dated. I couldn’t believe that it was aired only in 2010 because it looks way older. On the other hand, J.C.Staff isn’t a studio you would remember thinking about amazing visual achievements. Aqua color backgrounds add much of slice of life feeling but that also makes things that get animated very easy to spot. Character designs are straight from shoujo manga – ok but nothing impressive, just as the animation. All this mix makes me wonder what force transported this show some 5 years in the future form the time period it should belong to. Well, the story didn’t require any special effects or performances and the occasional appearance of chibis (comedy time, how else) brought some variety to otherwise really average and unimpressive visual aspect of the show, so I guess the quality of the story correlates with the quality of the visuals.

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     The soundtrack as everything else is a bit of a mixed bag. Some themes, especially those that are associated with Misaki’s café, give an appropriate Victorian feeling by being more of a classical style, just what you need thinking about aristocrats, maids and stuff. Some other themes are also quite catchy but for a 2 cour show there could have been more variety – even the most beautiful tracks could come on the verge of being annoying if you repeat them over and over again. Still, apart from some more interesting pieces of music the majority of the soundtrack remains easily forgettable and that again corresponds to the overall quality of the show.

Excerpt from the OST: 'Odayaka Hoshi Hana Koukou' by Wataru Maeguchi

      Overall as you can see I didn’t particularly enjoy Kaichou wa Maid-sama!. Generally it’s not a bad experience to see how it’s possible to play with various shoujo scenarios and how everything is affected by not that usual setting. Still, for me there are far more interesting shoujo anime or at least some that are able to achieve similar goals but using given time more efficiently. Also, the structure just screams “it’s a manga adaptation” and many actions of the characters happened just because the author wanted. Even when the confession happened (I doubt it’s a spoiler because of course it had to happen) I felt more relieved that it finally did more than being happy for the characters. It’s just the type of anime you have to enjoy (if you can) for the ride and not for the results.

 I believe, this anime

1

Could’ve been worse

     Should you watch it? Well, if you are a fan of romcoms that dwell on the feel-good side of things and don’t bother too much with an advanced story and characters, you certainly can check it out. Otherwise for someone like me who doesn’t have enough tolerance towards such things and looks at Kaichou wa Maid-sama! as something quite predictable, overlong and infested with silly humor, there are far better options to choose deciding what to watch next.

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Danshi Koukousei no Nichijou – a comedy not for everyone

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Alternative title Daily Lives of High School Boys
Studio Sunrise
Genres Comedy, Slice of Life
Source Manga
Episodes 12
Season Winter 2012
Director Shinji Takamatsu
Music Audio Highs

     It’s always a very difficult task to evaluate something whose quality is determined by the ability to make people laugh. Everyone just has a different taste of humor and I believe among all the means of entertainment – be it anime or something else – comedy is the genre whose scions are the most difficult to evaluate collectively as good or bad. Even a person with no interests in, say, action stuff can at least appreciate the aspect of something just being spectacular, but with comedy there is practically no middle ground – it’s a hit or miss.  To be frank, Danshi Koukousei no Nichijou was almost entirely a miss for me, though that doesn’t automatically make the show bad or mean that anyone won’t enjoy it. It just wasn’t for me, even if the first episode looked as promising as almost any anime, but the momentum didn’t last that long. Anyway, let’s dig a little deeper and find out why exactly it didn’t work that well.

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     If Danshi Koukousei no Nichijou was a child, its parents would definitely be Nichijou and Gintama. The basic premise of the show is very simple – you just can’t be more simple than some people (in this case – high-schoolers) doing some random and occasionally funny stuff. Sounds very similar to Nichijou, and not only because of the name, doesn’t it? I have a suspicion that, as Nichijou manga started few years earlier, Yasunobu Yamauchi, the author of Danshi Koukousei no Nichijou manga, may have been more or less influenced by it. Anyway, the similarities stop short pretty quick as Nichijou is an anime with girls in the center, its tone is far less sinister and finally it has more typical slice of life moments and doesn’t rely too much on the humor. Speaking about the humor, that’s where the Gintama part comes in. After all, it’s not that strange as both shows share the same studio, director and some of the voice actors among other similarities. As I’m not one of the biggest Gintama fans (it’s just not a particularly funny show, though it certainly has some hilarious moments), it’s quite obvious why Danshi Koukousei no Nichijou proved a little too hard to stomach for me. Well, a healthy dose of toilet and underwear type of humor can be funny enough but there it looked a bit overdone, overused and more silly than funny. Moreover, the show felt overstretched more times than not since all the setting up of a joke took serious chunks of time and when the final moment of retribution would finally come, it just won’t pay off accordingly. It’s like hearing of an enormous and vast beach nearby and after arriving there it turns out to be just a sandbox, and not a particularly spectacular one. Of course, the anime had some very well made sketches (probably the best ones were those of the Literary Girl) but most of the time a poker face was very easy to retain for me. Also, Danshi Koukousei no Nichijou strongly promoted the feeling of comradery, the bro-code, when a person would do a silliest thing in the world no matter what if it only would help his friend. As one of the overarcing themes of the show, this one was executed really well and even if in some instances pretty flat jokes were used, I still can and must appreciate what was achieved.

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     Sadly, characters aren’t the most interesting part of the show, either. At least the series itself is fully aware of that as at one point it even claims that you don’t have to learn the names of the characters – it’s not important. Well, that can be taken as a meta-joke but I’d prefer to become at least a bit attached to people whose daily lives are shown and of whom I’m supposed to laugh at and to be invested in. The three main guys are distinguishable probably only by their hair color and their voices. Maybe it was meant to have many self-insert characters, but either way it didn’t work that well. Speaking about the supporting characters, there’s a bunch of other pretty much faceless guys that barely can be described in one sentence. And that bunch is not small – there’s even a case of introducing some new people only so that they can be mistook for the main guys. It’s not a bad feature by itself as Baccano! did pretty well with an exceptionally huge cast, but for it to pay off you need those characters to be characters and use them, not just tell one or two jokes and return them to oblivion. Another serious drawback was the depiction of females. I understand it can be argued that as the show lets us see the world as those particular high-school boys see it and it’s just a matter of perception, but I must disagree. I fail to remember any female character in the show that wasn’t shown to be aggressive (in past or present), more or less dumb or just incompetent. Probably there were some, but it seems that those girls just didn’t have enough screen time to show their true characters. Yes, it definitely looked refreshing during some early episodes when you can relax from usual moe types and damsels in distress, but later on it just dragged the show down. Every girl that has more screen time than five minutes was shown as unstable, often prone to fighting and being, well, very unsympathetic. I agree that some characters of this sort could be ok, but if each and every girl is like this… I’m sorry, I’d better watch something else, with more variety.

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     Speaking about the artstyle, it wasn’t anything notorious. Danshi Koukousei no Nichijou tried to put all the weight on the comedic side of the show, so there were no, say, planet destroying screams like there were in Nichijou. Soft colors matched slice-of-life-ish atmosphere, and scenes near the river, that were meant to be a parody of romantic stuff, even looked beautiful. As far as character designs go, I’m not so positive. Well, they were exceptional enough so that you can easily distinguish the show from probably any other anime. Yet, as large a cast as it had, Danshi Koukousei no Nichijou just didn’t manage to make the characters stand out in their own world. Many a time I kept wondering if a glimpsed person has been there for the whole time or just showed up and will never be seen again. Still, the problem was way deeper with girl characters. Almost every guy seemed to have countless sisters portrayed without showing their eyes and, as I already mentioned, had almost exact personalities. That also applied to many other females of the show. The constant portraying of people without eyes probably is a bit too much. Yes, they look very non-human (which clearly female characters are supposed to be like), but what of it if it carries no emotional weight? One or two eyeless characters should have been more than enough, not almost all of them.

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     As music for Danshi Koukousei no Nichijou was created by Audio Highs, the same person to work with Gintama, we can add another common point between the two of them. Even if there was hardly any song that I would listen constantly outside of the show (OP and ED included), the soundtrack did what it should have. The same laid back aura of Gintama was welcome here as well, so I think soundtrack was probably one of the stronger parts of the series. By the way, J. Pachelbel’s famous Canon in D was used and was used effectively enough.

Excerpt from the OST: 'Danshi Koukousei to Yukai na Nakama'

     After all, everything I can say about Danshi Koukousei no Nichijou is that you should try it yourself to see if it’s for you. Practically, it’s Gintama in high school without its serious arcs and flamboyant setting. The characters were harder to become acquainted with than first episodes of Shirobako, but the development part didn’t even start. The show has its own more sinister than usual slice of life comedy anime niche and looks to be quite respected within the community, but I don’t harbor very warm feelings towards it. Well, it just proves that barely any comedy can be for everyone.

     I believe, this anime

1

Could’ve been worse

     Even if this show isn’t for me, it can easily be for you. Yes, it’s not perfect but it has its own charm that can definitely appeal for many people.