Musings and Reflections – Fall 2017 Week 10

Shoujo Shuumatsu Ryokou (Ep. 10)

     What. Is. That. Thing. At least I can confirm that it definitely isn’t a cat. What it reminds me of is those weird statues with even weirder looks. I’ve no idea if it’s a coincidence but to worship some animal (if it is an animal after all) may not look that queer if we remember that the Internet is overloaded with cat pictures. Of course it’s difficult to imagine how the creature manages to talk, and apparently does that via the radio. Maybe it’s a futuristic robot-pet? The girls may find no more than they already know but some following episodes should be interesting. Well, there’re only two left so I guess building for some sort of a finale wouldn’t be so strange after all. Apart from the finding of the creature, themes of time and music were examined. I wouldn’t say those segments were the most interesting ones but still the mere fact that the show chose to address them makes it respectable. Probably every person needs a personal Yuu who would question the most obvious things because I think sometimes it’s a very good idea to strip from all your knowledge and experiences and just rethink even the most basic stuff. Just in order to appreciate some naturally occurring things more.

Kino no Tabi (Ep. 10)

     I’m afraid I must say once again that the original did better. Even then I did have a problem with the stupidity of the people who chose rather to die than to live for no reason and, even worse, decided that their children should die also. Because why not? Would a sane parent rather wish to save his child if there’s even a tiniest possibility? Nah, let them all die. It’s not like you can’t move half a kilometer from the danger zone. Oh well. Still, even with this unthinkable element, in the original Kino Kind Country was one of the strongest episodes. Why? It resonated with Kino, and we knew that as well as the reason of it. Back then in episode 4 Kino’s backstory was revealed and it was more than obvious that Kino shares many similarities with Sakura. Sadly for anyone who didn’t know that the story now loses a very important (I’d even say essential and crucial) layer because it’s a particularly rare occasion when we see Kino deeply moved, thrown from her comfort zone completely. For the newcomers it might not even seem like a stand-out episode. And that’s really a shame. The new Kino stumbled also in other ways – Sakura’s favorite place as well as the eruption scene were done far more impressively in the old show, not to mention Kino’s shock. I might not think particularly highly of Kino no Tabi as a story (no matter the iteration) but I certainly believe it doesn’t deserve to get such an adaptation as this one.

Mahoutsukai no Yome (Ep. 10)

     I’m quite happy that the show continuously addresses my main problem of the story – Chise being unconditionally attached to Elias even though in theory their relationship shouldn’t work that well. Still, the main point of the episode was the backstory of Lindel and Elias. The first part of it, that is. The introduction of Elias as a black form with glowing eyes in the middle of the storm was very impressive. To be frank, all the backgrounds are worth mentioning. Anyway, I’m afraid that without a continuation there’s little that can be concluded, apart from the fact that Elias and Lindel were very close from the start. There’re also some bits and pieces to be collected from Renfred’s talk with Elias though again I’ll rather wait for the next episode before making any guesses. At least it’s clear that Renfred is also concerned about Chise’s safety (even if for selfish reasons), and that’s quite nice of him. Lindel’s Shishou seems like an interesting character who should appear sometime in the future.

Ballroom e Youkoso (Ep. 23)

     Well, I’m not sure what exactly I want from a sports show but Ballroom isn’t giving me that. This tournament arc is spanning unbelievably long, and naturally to maintain the tension as well as interest in it is also an unbelievably hard task. Once again the present events are interrupted by random flashbacks that sure, make sense and add more to the characters, but I still don’t think it’s reasonable to let them get in the way of the main story. Some other really unnecessary moments also felt like they have no business there. The audience commenting on the dancers came as annoying. Even if the commentators usually are characters we already (should) care about, they rarely say anything important. It’s either so obvious that it would be surprising if anyone couldn’t say the same, or just some old material being reiterated for a thousandth time, just like telling the main difference between Kugimiya pair and Tatara pair. Also isn’t this competition supposed to be of a high level? I can’t fathom how worse everyone must be dancing since our protagonists managed to get into the final after such a terrible performance. The animation noticeably improved and I’m very glad about it. It seems that the final stretch is already there and the last episode should be even better. Anyway, Ballroom stopped to look like a spectacle (if it ever was one) way before and now there’s only iterations of seen things, only with heightened (supposedly) stakes and little, almost unnoticeable changes. I guess the only real benefit of watching this is my growing appreciation of Yuri!!! on Ice. That show had its own fair share of stumbles but I could never say I was that bored or that the skating routines (even if reused) looked repetitive.

Kujira no Kora wa Sajou ni Utau (Ep. 10)

     Sometimes I think whether the show purposefully tries to test my patience. It’s very sad that an adventure that started so well ultimately ended up on the same disappointing level as Kino. Random people having random conversations? Ok, but what of it? I can now remember some of the new faces but I don’t even think it’s meaningful since ultimately everyone still will die horrible deaths. An onsen segment? Seriously? I thought dumb jokes were done for after that but of course not – of course you have to introduce more useless people, and do that in a completely laughable circumstances. And by laughable I don’t mean that it was intended sort of laughable. Decision to introduce a plot twist so that the obnoxious villain remains alive is also questionable. The same might be said about the introduction of the second mascot character. We already had one so why add another? Does a Whale operate better with two of them? Couldn’t that red-haired girl explain everything from the start? It’s frustrating to see the show lose all the focus it had and try so many things (of whom none actually work) in order to drive the story (if there is one) forward. As a side note – do these people bath only when there’s a shortage of water? If so I doubt the overwhelming smell would be that of milk. And in the first place – how often should it rain in the desert for all these people to have enough water? The same goes with food – a population of the Whale is certainly beyond a score or two and that means enormous demand of food, such that I doubt a ship of such size could supply.


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