Musings and Reflections – Fall 2017 Week 9

Shoujo Shuumatsu Ryokou (Ep. 9)

     Getting even more philosophical, aren’t we? I guess it was inevitable that in this futuristic world some robots were introduced. Especially the appearance of the BigGuy was impressive, as the direction from the very beginning emphasized how small the girls are and how huge and claustrophobic the environment is. And then – this enormous robot, clearly seeming hostile or at least not anything you wouldn’t evade. The way Yuu guessed that the SmallGuy would appear with his “Konnichiwa” was certainly predictable but still funny. So yeah, this whole business about defining what life is proved to be one of the most thoughtful episodes of the show. How much a machine should resemble a human being in order to be called alive? Is mindless office work any more meaningful than, say, feeding a single fish every day? The BigGuy also reminded me strongly of Ishii and Kanazawa – he still did his job (no matter that he was programmed to do it and did it not because he was passionate about it) paying no attention to the fact that what he did made sense only in a normal and functioning society while in this post-apocalyptic world there’s no use neither for making maps nor for recycling materials of an unused factory. Even if the demise of the BigGuy was sadly inevitable, the show still proves that no matter the circumstances, life always finds a way. Even among all the destruction the girls are still alive (and quite happy), the fish also lives (for now) as does its caretaker. Well, it’s definitely weird that the show made me care for the fish who was barely here, I’m not even talking about some dialogue or any prominent action.

Kino no Tabi (Ep. 9)

     Well, I’m just disappointed and not even mad anymore. A single episode of Kino rarely feels appropriately long to explore all the ideas it has, and I’m talking about the old Kino. This new Kino is similar, only the ideas are less interesting, that is if there are any. This episode might be a crown jewel of uselessly burning your time without telling anything. So many stories in one episode? Not to mention that they are pretty stupid. What’s the point in spending time on confirming that Kino and Shizu shouldn’t be attacked? We already know that and it’s natural that someone who has some experience can also tell that. Oh well. The president says that the system is perfect but seconds later denies that with his actions. I’ve no idea if it’s theoretically possible to have such a system that could at least decently work – you need enormous amount of work counting the points and in the end they mean nothing. What’s the difference between +100 points and +100000 points? Sure, you may feel better but what of it? Does the president really want to kill if he’s been able to resist it for so long? He’s just nuts, just like any other character from the show. Oh well. The cooking part means absolutely nothing. It may work (only may and nothing more) if I cared about the characters or there would be any connection with other parts of the show. Sadly there isn’t so it remains yet another pointless segment. Oh well. Segment about wishes probably lasted less than to write this sentence so that’s that.  Oh well. The last story at least had an interesting premise. Still, there’s something fundamentally wrong when a human is forced to take a memory erasing drug why a bike can only make a promise not to tell anything. When Hermes told that Kino was her usual self, did it mean that Kino shot lots of people and completely obliterated the country? Oh well…

Mahoutsukai no Yome (Ep. 9)

     Some weeks ago I posed a question about the relationship between Chise and Elias. This time Angelica (Ruth to some extent and even Chise herself) basically voiced my concerns. On one hand it can be understandable that Chise inadvertently began to care for Elias simply because in his house she isn’t treated as bad as before. Knowing that doesn’t make it look comfortable, though. Elias hasn’t done anything bad for sure but he’s just been acting as a guardian for Chise, with only occasional (and not that smooth) gestures that suggests that he calls her his future bride not for amusement. Still in my point of view Elias isn’t anyone who would evoke as strong bonding behavior as we clearly see with Chise. Well, in principal I’m not against a girl falling for a guy with a skull for a face but in this case everything almost seems to border Stockholm syndrome. I guess my problem is just that Chise grew fond of Elias too quickly and without anything substantial to justify it. Another gripe is of course that vampire-gal. Yep, more mythological creatures is definitely a good choice, but mythological creatures with barely any clothing? The jokes also didn’t help at all. Well… And it’s not that the little story couldn’t have shown the vampire as someone more mature and dignified. To be frank, that segment by itself felt very unimportant. Of course in the future it may get some meaning but for now, I don’t know. The transition to “Hey, let’s move to Iceland” wasn’t as bad as the first time but still I wouldn’t call it a natural turn of things.

Ballroom e Youkoso (Ep. 22)

     Yep, that was the most likely way to start attending dancing classes. A mad dance teacher sends his cat to gather some new students, yeah. Apart from that the first part of the episode was quite likable. Kugimiya turns out to be not just an average poker-face d villain but a person who had some hardships to deal with, especially when a hope to become an excellent dancer that fueled him for so long turned out to be not as achievable as he would’ve liked. The more general statement that other people also have their personal hells was something of unexpected depth. So everything’s good, but then we return from this flashback to the grey reality. The problem is that this competition already spans too long and various flashbacks (as good as they might be) certainly don’t make everything cohesive. You just have to force your brain to remember at what point we left Tatara last time and it turns out that the completely uninteresting routines continue just as before. I get the point that Tatara and Chinatsu finally synced but giving this revelation several episodes (also filled with flashbacks and stuff) feels too much for me. The competition moves at a snail’s pace and there’s nothing new about the dances – already been there, seen this. Like a couple of hundred times. I reiterated myself a couple of times but doing that after such an episode doesn’t feel that sinful. I guess the Kugimiya part made up for everything else but that still doesn’t make the show as the whole likable enough. Luckily only two episodes are left.

Kujira no Kora wa Sajou ni Utau (Ep. 9)

     The show constantly oscillates between two states – it’s either surprisingly stupid or surprisingly predictable. Needless to say, sometimes it’s both. Another forgettable character trying to avenge his dead girlfriend, another osananajimi that had been red-flagged since his introduction… Come on, don’t just state “this is a character. When he dies, be sad”. Prove me why I should. Villains remain as incompetent as ever. How many trained soldiers do you need to kill a bunch of virtually untrained dudes with no plan? Can’t you just shoot everyone instead of shooting some of them, then fighting with swords, then giving a villain-speech, then again fighting and only then shooting (only one of them)? I guess the pinnacle of unexplainable stupidity was the very end when enemy soldiers on the good guys’ Whale just committed a suicide. Weren’t they successfully wining by far, being convinced that conquering the Whale is the right thing? Then do the job till the very end, dudes… And that was all stupid stuff. Meanwhile the hand-forest provided the weird part. Last time Neri (or what’s her name) did something similar with the good guys’ Whale so does that mean that it will also sink in a minute? What’s with that snail-form object given by the blue multiple-dog-eared spirit? Why would she need to ask a question if she still gave Chakuro that thing in the end? Well, there also was lots of hallucination scenes and I get that they were supposed to evoke some emotions but, well, they didn’t. It’s really sad but also funny seeing how hard the show tries to be the feels-show but fails miserably at that as well as other departments. At least visuals look pretty despite making little sense.


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