Musings and Reflections – Fall 2017 Week 5

Shoujo Shuumatsu Ryokou (Ep. 5)

     And I thought that it can’t get even more low key. From now on any time I need to relax I know for sure what to watch (and which episode). The girls from time to time say that they should hurry lest their food finished and it seems that they have some final goal. Yet even reminders that they shouldn’t stay in one place for long don’t seem to work. And why should they? The girls are having a good time enjoying every single minute of their journey. That by itself is fairly optimistic because anyone would be hard pressed to laugh in such a gloomy environment with lots of destruction left and right. So I guess it makes me appreciate such commodities that I have – a roof above my head for someone else might seem a luxury. The third part of the episode also nicely connected with the first one – you don’t need much stuff in order to play and create a pleasant moment or two, you just have to think. The naïveté of the girls and their ability to enjoy the world as crumbled as it is something to think about. Let’s don’t forget to take a breather from everyday hustle and enjoy life as much as we can.

Kino no Tabi (Ep. 5)

     A bit unexpectedly I liked the episode more than previous ones. Well, it wasn’t that impressive but at least there weren’t as many problems I usually have with the show. The idea of the first part was very bare-bones – people make their heroes what they want them to be and not what they were. Maybe some elaboration would’ve made everything more enjoyable but probably the source material also didn’t dwell that much on this notion. The second part however went further than merely stating an idea. The story, albeit predictable, felt far more touching than usual Kino no Tabi fare. Once again it’s hard to get invested into characters you see so briefly (this time even less than for an episode) but this sort of a tragedy of the Eyebrowless Dude and the White-haired Woman (how old is she by the way?) did manage to show how unlucky some people might be. But then there’re some questionable details. First of all, why would the king send his own daughter to spy? Isn’t that too dangerous? Then why would this girl keep lying after her return to her lover? Wasn’t it easier just to tell “I’m back but the people hate me so let’s move out together quickly and secretly”? And then comes the big reveal that the Dude himself was lying. I understand that it might be comfortable for him but come on – shouting “Where’s my lover?” everyday should be pretty exhausting if he’s truly right in the head and she’s right here. Maybe the problem the show addresses is that sometimes we get sort of comfortable in situations that can be so easily changed for the better but we just don’t even try. Still, the metaphor is handled a bit too heavy-handed because I don’t really see the point in both of the lovers lying to each other when they can easily throw their disguises away and be far more happier. On a side note the white forest with red leaves definitely looked impressive.

Mahoutsukai no Yome (Ep. 5)

     Well, it was heavy. I guess out of everything we’ve seen so far this episode has to be my favorite. The story itself is just sad because anyhow you look at it, you can’t really judge that Matthew guy. Sure, looking at the final result he definitely wasn’t an angel, but where exactly is the boundary you can’t cross in order to save your loved one? The visuals also nicely accentuated the uncomfortableness of the story, starting with that disgusting Elias’s lick. Well, it somehow was the most unpleasant thing I saw probably the whole week. Somehow. Details like what was left of Mina slowly dripping from Matthew’s hands made another nice touch with the anime probably overpowering the manga. This whole expedition for Chise should’ve been particularly hard because a whole multitude of beings either chose to die or ask to be erased completely without any regrets. For anyone troubled as our protagonist coming into terms with death is a very hard task. At least Chise now clearly values life, something she wasn’t able to do before. No wonder since awkward gestures and just weird behavior of Elias still makes Chise feel very valued, and that poses a question what was her life before. After everything I still have an inquiry – what of the present sorcerers? Were they really necessary apart from trying to plant an idea into Chise’s head that what she feels is nothing more than a Stockholm syndrome? And what, they just left? I guess it definitely won’t be the last time we see them but having someone antagonistic for once ended too anticlimactically.

Ballroom e Youkoso (Ep. 18)

     You know this competition is completely different from others because of the dramatic dressing. Let’s talk about synchronizing everything for the common goal. In the very beginning the announcer tells to prepare for tango, the background music also picks up tango rhythm, Chinatsu wears a red dress and everything seems to heat up. And then she tells that she’s cold which is completely at odds with both the visuals and the sounds. Sure, this line is insightful but I think that it’s a horrible choice to place it here, where after a motivation speech (which also associates with hotness) the pair could have gone to give their best performance. Also after such a tension-building segment the announcer strikes again with “Hey folks, next is waltz”. Waltz definitely isn’t a dance where you need all this heat and tension so the initial building up seems to be for nothing. Still worse, the real tango comes later on. If you start with tango, you build everything for tango and show the tension as much as possible, not jumble between different moods. Even if getting into sync for our pair was the most important thing of this episode, it was attenuated by all these comedy moments (various families coming to watch) and all the commentary of Hyoudo and the lot. I don’t know if there’s a better way in principle to show both the dancing and its commentary but endlessly cutting back and forth gets repetitive real quick and also steals lots of attention from the focal point – the dancers and their emotions. In the end it feels like just another competition among other competitions, with the stakes being as low as ever.

Kujira no Kora wa Sajou ni Utau (Ep. 5)

     “We will absolutely sink the Whale and kill all the people on it. Oh no, a girl got an arrow to the knee. To the infirmary, quick!” Argh. Please don’t change your opinion like socks, you are leaders of the society or are you not? Oh well, as much as I do enjoy the visuals, there’s constantly something wrong with the story. Well, it’s not always something as bad as inconsistencies but just some not that believable decisions. What’s with the mindset “I’m so ashamed that I must ask poeple to fight for their lives”? Come on, you’re on the same boat – you either fight or you die. As Suouououou said, there should be something else about the attackers because total destruction on a basis that someone else is just different seems pretty weak. I guess the most interesting part was when that Neri girl proved to be something different from an ordinary human. It appears that the Elders knew about that so if Neri opposed the sinking from the start, why didn’t she say anything directly? Or did she want to remain concealed as much as possible? Well, there might be some logic to this one (and others) but at this point I’m not buying the story. It’s just too complicated when it has no need to. At least that that one-eyed gatekeeper is voiced by Hiroshi Kamiya so that’s another plus to the show.

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