Musings and Reflections – Summer 2017 Week 5

Ballroom e Youkoso (Ep. 4)

    Continuing from the last episode – why are there people who seem genuinely surprised that using doubles is forbidden? OK, Fujita was dumbstruck with an opportunity to dance but come on, what did you expect? And WHY DID NO ONE NOTICE? It seems like technically you could exchange a pair of professional dancers with two hobos for one dance and no one would bat an eye. Sure, some time later a disqualification letter might come in but at the moment neither judges nor other dancers would say a thing. It’s very simple – our protagonist needs to try a serious dance floor after all doesn’t he? And Sengoku’s a jerk for not taking any responsibility and blaming everyone but himself. Impulsiveness and gut feeling sometimes might come in handy but such people should either restrain themselves or go out of managing business. The damn necks are so much distracting that I have to remind myself it’s not some weird comedy about giraffe people. On the other hand, it is an unintentional comedy  – isn’t it funny how anticlimactically Hyoudo fell of the stairs? The way of introducing new characters is very shounen. As if anything about the show could be non-shounen.

Ballroom e Youkoso (Ep. 5)

     I understand that having (and getting) a partner whom you trust, depend on and have utmost confidence in is crucial but come on, isn’t it taking a bit too far considering that at this point it’s just some practice we are talking about, not some unbreakable bond for the whole life? As far as I remember, Fujita so far has learned only waltz (because he spent extremely long time mastering it) and now he was supposed to dance a completely unknown dance, and even with a partner? If he made some progression off-screen it would be nice to get to know it, the show’s about Fujita’s progression after all, isn’t it? Yep, cliché “a cute dojikko stumbles and falls on the protagonist and thus a long-lasting bond is created” – check. Sengoku turns out to be not a complete jerk because of disqualifying Hyoudo on purpose but still that doesn’t make him a very likable character. Mako’s brother looks to be another overconfident and arrogant (and annoying, let’s not forget that) dude, almost Sengoku without any brains. For me Ballroom still can’t offer any likable enough characters – Fujita is just too unbelievably talented self-insert without too high IQ, Shizuku is just the perfect partner with only a semblance of a personality, Sengoku, Hyoudo and Mako’s brother hold their head’s too high and everyone else has too little screen time to be that noticeable.  The show just can’t go on without spouting dumb jokes left and right, can it? Is it me or some lip-sync this time was a bit off? Aside from all that, I look forward to the developments in the relationship between Fujita and Mako and all the rivalries.

Made in Abyss (Ep. 4)

     So far everything seems to be going quite smoothly. But if Riko gets distressed over a spider that is a rather simple creature of the first level, what is going to happen once they descend further below? There’s probably a reason why inexperienced whistles aren’t allowed to go deeper. I can understand that Habo got excited to see Reg knowing what he really is but is it a choice of a responsible adult to let two kids go virtually into a certain death, promise or no promise? I don’t know what Leader was thinking (and it bothers me quite a lot) but Riko feels like she definitely has the right answer. The same happened with the letter asking to come down when Riko decided it was written by her mother. Riko may as well be right but having such a companion with practically no cautiousness and only sky-high confidence instead of actual skills isn’t what I’d choose. The parallel between Riko and her toy was fitting – as the toy just flew away and ultimately was caught in a waterfall, so does Riko (also born in Abyss) started a journey down but may soon find that she has less control than she would like.

Re:Creators (Ep. 16)

     This episode in particular as well as some earlier ones (end especially the recap) have gone full meta. It’s interesting how that started to be more prominent in the second cour – the first one was more or like a regular anime albeit with an original premise. It’s like the creators thought “screw the story and let’s just have fun, and we’ll wrap everything up later on somehow”. When I thought only for a second that the onsen scene in a usual anime would’ve been just a lowly fanservice, Re:Creators not only swapped girls with middle-aged men but also addressed the fact itself (well, they got back to the regular fanservice so in the end I guess they just had the last laugh). Pretty much the same goes for discussing 2nd-rate-Shinji’s VA – just like how in Bakemonogatari Senjougahara told that her VA was amazing. Apart from some mild fun in the baths, the characters continue spawn useless sentences that have no meaning. I guess there had to be some transition to the second half but it felt anything but smooth. Someone in YouTube comments have named this show Re:Meteora talking and that isn’t too far of the mark. It seems like the final showdown is coming a bit early, unless it will be too stretched out or something important after that will have to happen. Either way it doesn’t sound too promising. Of course, Selesia’s comrade as well as the new member of Team-Altair haven’t shown their abilities, the MC’s plan remains a mystery as well as the whole principle of how the showdown is planned to go. The crew has been working for some time but we still don’t know anything substantial about what exactly did they do and I feel a bit disappointed about that. Some intermediate results would probably have made the transition a bit smoother. And do I not remember or so far in the series we still don’t have any clue why exactly Altair behaves the way she does with all the ending of the world and stuff?

Sakura Quest (Ep. 18)

     Well, I don’t know if it was a clever foreshadowing but since the very beginning of the episode I was thinking what would happen if any of the villagers died. Eventually I ended up dismissing the idea because that’s not that kind of a show but surprisingly it proved me wrong. Exiting the world when you have finished what you strove for while in the background Beethoven’s 9th symphony is playing – pretty majestic, isn’t it? Otherwise the episode wasn’t particularly exceptional – the pervy oji-san hopefully won’t appear ever again, the problem got solved in quite a plain way as if it was an afterthought and Sanae got a new way to connect with Manoyama. I don’t know, maybe as with the village, there won’t be any hope for Manoyama left eventually as the population inevitably is getting older and young people are migrating out of rural areas. Sakura Quest doesn’t deny that but instead suggests to find some ways to record what has yet remained and possibly to slow down the process of destruction. Even if the girls are working so hard and let’s be frank, the results are only bringing some happiness to the town and not new people, there probably are hundreds of such towns not only in Japan but also in the rest of the world that can’t afford as much manpower (or of such caliber) or other resources to at least stay afloat. And that’s rather sad.

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